Kodak Film Camera 5219 User Manual

KODAK VISION3 500T Color  
Negative Film 5219 / 7219 / SO-219  
November 2007 H-1-5219t  
TECHNICAL DATA / COLOR NEGATIVE FILM  
The first in a new family of films, VISION3 500T Film gives  
you more control and flexibility at every phase of the  
filmmaking process—from capture through post, in both  
digital and traditional workflows.  
EXPOSURE INDEXES  
Tungsten (3200K) - 500 Daylight1 - 320  
Use these indexes with incident- or reflected-light  
exposure meters and cameras marked for ISO or ASA  
speeds or exposure indexes. These indexes apply for meter  
readings of average subjects made from the camera  
position or for readings made from a gray card of  
18-percent reflectance held close to and in front of the  
subject. For unusually light- or dark-colored subjects,  
decrease or increase the exposure indicated by the meter  
accordingly.  
VISION3 500T Film retains the overall look and image  
structure of KODAK VISION2 Films—then adds technical  
innovations that provide improved exposure latitude—at  
both ends of the curve. Proprietary, advanced Dye Layering  
Technology (DLT) gives you noticeably reduced grain in  
shadows, so you can shoot at higher speeds, with less light,  
in darker corners, and know you can capture an amazing  
amount of shadow detail with noticeably lower grain.  
VISION3 500T Film also features extended highlight  
latitude, so you can follow the action into bright light-in a  
single shot-without worrying about blown-out details.  
When the film is scanned and digitized, you'll find you can  
recover two stops of highlight detail. This technology is  
enabled by the use of sub-micron imaging sensors.  
VISION3 500T Film fits seamlessly into your digital  
workflow. And when scanning low-light scenes, VISION3  
500T Film yields higher signal-to-noise ratios for  
unprecedented image quality.  
COLOR BALANCE  
These films are balanced for exposure with tungsten  
illumination (3200K). You can also expose them with  
tungsten lamps that have slightly higher or lower color  
temperatures (+/- 150K) without correction filters, since  
final color balancing can be done in printing. For other light  
sources, use the correction filters in the table below.  
KODAK Filters  
on Camera *  
Exposure  
Index  
Light Source  
BASE  
Tungsten (3000 K)  
WRATTEN Gelatin No.  
82B  
320  
500  
500  
320  
200  
KODAK VISION3 500T Color Negative Films 5219 and  
7219 have an acetate safety base with rem-jet backing.  
KODAK VISION3 500T Color Negative Film SO-219 has  
an ESTAR Safety Base with rem-jet backing  
Tungsten (3200 K)  
None  
Tungsten photoflood  
(3400 K)  
None  
Daylight (5500 K)  
White-Flame Arcs  
WRATTEN Gelatin No. 85  
STORAGE  
WRATTEN Gelatin No.  
85B  
Store unexposed film at 13°C (55°F) or lower. For extended  
storage, store at -18°C (0°F) or lower. Process exposed film  
promptly. Store processed film according to the  
Yellow-Flame Arcs  
OPTIMA 32  
Color Compensating 20Y  
None  
320  
500  
320  
recommendations in ANSI/PIMA IT9.11-1998: for  
medium-term storage (minimum of ten years), store at  
10°C (50°F) or lower at a relative humidity of 20 to 30  
percent; for extended-term storage (for preservation of  
material having permanent value), store at 2°C (35°F) or  
lower at a relative humidity of 20 to 30 percent. For active  
use, store at 25°C (77°F) or lower, at a relative humidity of  
50 +/- 5 percent. This relates to optimized film handling  
rather than preservation; static, dust-attraction and  
curl-related problems are generally minimized at the  
higher relative humidity. After usage, the film should be  
returned to the appropriate medium- or long-term storage  
conditions as soon as possible.  
VITALITE  
WRATTEN Gelatin No. 85  
Fluorescent, Cool  
White †  
WRATTEN Gelatin No. 85  
+ 10M  
200  
Fluorescent, Deluxe  
Cool White †  
WRATTEN Gelatin No.  
85C + 10R  
320  
320  
Metal Halide  
WRATTEN Gelatin No. 85  
* These are approximate corrections only. Make final corrections during  
printing.  
These are starting-point recommendations for trial exposures. If the kind of  
lamp is unknown, a KODAK Color Compensating Filter CC 40R can be used  
with an exposure index (EI) of 250.  
Note: Consult the manufacturer of high-intensity  
ultraviolet lamps for safety information on ultraviolet  
radiation and ozone generation.  
For more information about medium- and long-term  
storage, see ANSI/PIMA IT9.11-1998, SMPTE RP131-2002,  
and KODAK Publications No. H-1, KODAK Motion Picture  
Film and No. H-23, The Book of Film Care.  
1. With a KODAK WRATTEN Gelatin Filter No. 85.  
©Eastman Kodak Company, 2007  
 
supplied by Eastman Kodak Company. The TAF consists of  
a neutral density scale and an eight-bar color test pattern  
with a LAD gray surround.  
CURVES  
Sensitometric Curves  
LOG EXPOSURE (lux-seconds)  
-4.0  
3.0  
-3.0  
-2.0  
-1.0  
0.0  
1.0  
The TAF gray scale provides the telecine operator  
(colorist) with an effective way to adjust subcarrier  
balance and to center the telecine controls before timing  
and transferring a film. The TAF color bars provide the  
utility of electronic color bars, even though they do not  
precisely match the electronically generated color bars.  
Using the TAF will help obtain optimum quality and  
consistency in the film-to-tape transfer. For more  
information regarding TAF, see KODAK Publication No.  
H-9, TAF User's Guide.  
B
Exposure: 3200K Tungsten 1/50 sec  
Process: ECN-2  
Densitometry: ECN-2  
G
2.0  
1.0  
R
IMAGE STRUCTURE  
The modulation-transfer and diffuse rms granularity  
curves were generated from samples of 5219 Film exposed  
with tungsten light and processed as recommended in  
Process ECN-2 chemicals. For more information on  
image-structure characteristics, see KODAK Publication  
No. H-1, KODAK Motion Picture Film available online at  
http://www.kodak.com/US/en/motion/support/h1.  
0.0  
-8 -7 -6 -5 -4 -3 -2 -1  
0
1
2
3
4
5
6
7
8
Camera Stops  
TI2647F  
The curves describe this film's response to red, green,  
and blue light. Sensitometric curves determine the change  
in density on the film for a given change in log exposure.4  
Modulation Transfer Function  
Note: The exposure scale for VISION3 5219 / 7219 Film is  
longer than previous VISION and VISON2 Films. Because  
of the extended highlight latitude of and because we need  
to measure in this region, we expanded the exposure scale  
from a zero to four increment to a zero to five scale. In  
addition to the longer exposure scale, we are plotting  
twenty-one steps instead of twenty.  
The "perceived" sharpness of any film depends on various  
components of the motion picture production system. The  
camera and projector lenses and film printers, among other  
factors, all play a role. But the specific sharpness of a film  
can be measured and is charted in the Modulation Transfer  
Function Curve.  
NOTICE: The sensitometric curves and data in this  
publication represent product tested under the conditions  
of exposure and processing specified. They are  
representative of production coatings, and therefore do  
not apply directly to a particular box or roll of photographic  
material. They do not represent standards or specifications  
that must be met by Eastman Kodak Company. The  
company reserves the right to change and improve  
rms Granularity:  
Refer to curve.  
Read with a microdensitometer, (red, green, blue) using  
a 48-micrometer aperture.  
The "perception" of the graininess of any film is highly  
dependent on scene content, complexity, color, and  
density. Other factors, such as film age, processing,  
exposure conditions, and telecine transfer may also have  
significant effects.  
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 H-1-5219t  
3
 
Modulation-Transfer Function Curves  
Spectral Sensitivity Curves  
200  
100  
70  
50  
4.0  
3.0  
2.0  
1.0  
0.0  
Yellow-  
Forming  
Layer  
R
G
30  
20  
Magenta-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
B
10  
7
5
Exposure: 3200K Tungsten  
Process: ECN-2  
Densitometry: Status M  
Effective Exposure: 1/25 sec  
Process: ECN-2  
Densitometry: Status M  
Densitry: 0.2>D-min  
3
2
1
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
1
2
3
4 5  
10  
20  
50  
100 200  
600  
SPATIAL FREQUENCY (cycles/mm)  
TI2647B  
*Sensitivity = reciprocal of exposure (erg/cm2 ) required  
TI2647D  
to produce specified density  
This graph shows a measure of the visual sharpness of  
this film. The x-axis, "Spatial Frequency," refers to the  
number of sine waves per millimeter that can be resolved.  
The y-axis, "Response," corresponds to film sharpness.  
The longer and flatter the line, the more sine waves per  
millimeter that can be resolved with a high degree of  
sharpness—and, the sharper the film.  
These curves depict the sensitivity of this film to the  
spectrum of light. They are useful for determining,  
modifying, and optimizing exposure for blue- and  
green-screen special-effects work.  
Spectral Dye Density Curves  
1.8  
Diffuse rms Granularity Curves  
Process: ECN-2; D-mins subtracted  
1.6  
3.0  
Process: ECN-2  
B
1.4  
Blue Density  
Green Density  
Midscale Neutral  
1.2  
G
Red Density  
Blue Grain  
Green Grain  
Red Grain  
Magenta  
Yellow  
Cyan  
1.0  
0.8  
R
2.0  
1.0  
0.0  
0.10  
0.05  
0.04  
0.03  
0.6  
0.4  
0.2  
B
0.02  
Minimum Density  
0.01  
G
R
0.006  
0.005  
0.004  
0.003  
0.0  
-0.2  
400  
TI2647E  
0.002  
450  
500  
550 600  
650  
700 750  
800  
WAVELENGTH (nm)  
.001  
2.0  
3.0  
4.0  
5.0  
0.0  
1.0  
TI2647C  
LOG RELATIVE EXPOSURE  
These curves depict the spectral absorptions of the dyes  
formed when the film is processed. They are useful for  
adjusting or optimizing any device that scans or prints the  
film.  
To find the rms Granularity value for a given density, find  
the density on the left vertical scale and follow horizontally  
to the characteristic curve and then go vertically (up or  
down) to the granularity curve. At that point, follow  
horizontally to the Granularity Sigma D scale on the right.  
Read the number and multiply by 1000 for the rms value.  
Note: Cyan, Magenta, and Yellow Dye Curves are  
peak-normalized.  
Note: This curve represents granularity based on modified  
measuring techniques.4  
4. Sensitometric and Diffuse RMS Granularity curves are produced on  
different equipment. A slight variation in curve shape may be noticed.  
4
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 H-1-5219t  
 
SIZES AVAILABLE  
Standard Products Available  
Length in  
Metres (Feet)  
Identification No.  
Core  
Description  
Perforations  
65 mm SP332  
35 mm SP417  
35 mm SP718  
35 mm SP718  
35 mm SP718  
16 mm SP449  
16 mm SP451  
16 mm SP578  
16 mm SP445*  
16 mm SP455  
16 mm SP457  
16 mm SP458  
16 mm SP462N  
S8 mm SP464  
305 (1000)  
30 (100)  
61 (200)  
122 (400)  
305 (1000)  
30 (100)  
122 (400)  
122 (400)  
61 (200)  
30 (100)  
122 (400)  
244 (800)  
15 (50)  
P
Emulsion In  
KS-4740 (KS-1866)  
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
2R-7605 (2R-2994)  
2R-7605 (2R-2994)  
2R-7605 (2R-2994)  
1R-7620 (1R-3000)  
1R-7605 (1R-2994)  
1R-7605 (1R-2994)  
1R-7605 (1R-2994)  
2R-7605 (2R-3000)  
S-83 100-ft. spool  
U
U
U
R-90 100-ft. spool  
T
S-153 400-ft. spool  
A
Winding A  
Winding B  
Winding B  
Winding B  
R-90 100-ft. spool  
T
Z
R-236 50-ft.spool  
15 (50)  
Super 8 cartridge  
*for AATON A-MINIMA Cameras  
MORE INFORMATION  
Outside the United States and Canada, please contact your Kodak representative.  
location so you can find us easily the next time.  
Films  
Film for the Cinematographer  
KODAK Publication No. H-5  
Image Structure  
Storage  
KODAK Motion Picture Film  
KODAK Publication No. H-1  
KODAK Motion Picture Film  
KODAK Publication No. H-1  
The Book of Film Care  
KODAK Publication No. H-23  
Processing  
Manual for Processing KODAK Motion Picture Films, Process  
ECN-2 Specifications, Module 7  
KODAK Publication No. H-24.07  
LAD  
LAD—Laboratory Aim Density  
KODAK Publication No. H-61  
Transfer  
KODAK Telecine Analysis Film User’s Guide  
KODAK Publication No. H-822  
KODAK Telecine Exposure Calibration Film User’s Guide  
KODAK Publication No. H-807  
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 H-1-5219t  
5
 
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219  
FOR DIRECT ORDERING IN THE UNITED STATES AND CANADA: 1-800-621-FILM  
KODAK SHOOTSAVER Film Delivery Service (U.S. only) 1-800-404-2016  
Kodak Locations  
NORTH AMERICA REGION  
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Blvd. Adolfo Ruiz Cortinez 3642, Piso 14 North Ryde, NSW2113  
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Tel: 61 2 9870 4378  
Fax: 61 2 9870 4292  
CP 01900 México, D.F, Mexico.  
Tel: 01 (55) 110517-30  
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VENEZUELA  
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Av. Francisco deMiranda  
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72B  
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Ile des Soeurs  
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Canada H3E 1J4  
Orders: 1-800-621-FILM  
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Tel: 64 9 3028665  
Fax: 649 302 8639  
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Tel: (58-212) 955-2081  
Fax: (58-212) 955-2009  
PAKISTAN  
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5th Floor Bahria Complex 2  
M.t.Khan Road  
HONG KONG  
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13/F, Cityplaza Four  
12 Taikoo Wan Road  
Taikoo Shing  
PERU  
Kodak Canada Inc.  
3700 Gilmore Way  
Burnaby, BC  
Canada V5G 4M1  
Orders: 1-800-621-FILM  
Fax: 1-866-211-6311  
Karachi  
Pakistan  
Tel: 92 21 561 0150 & 561 1402  
Fax: 92 21 561 0776  
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Avenida Larco # 1301, Piso 14,  
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Hong Kong  
Lima, Perú  
Tel: 852 2564 9352  
Fax: 852 2564 9830  
Tel: (51-1) 610-8700  
Fax: (51-1) 610-8801  
PHILIPPINES  
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2247 Chino Roces Avenue  
Makati City  
EUROPEAN, AFRICAN AND  
MIDDLE EASTERN REGION  
Kodak Business Centre  
Hemel One, Boundary Way  
Hemel Hempstead  
HP2 7YU  
England, UK  
Tel: + 44 1442 846945  
Fax: + 44 1442 846 594  
INDIA  
ARGENTINA  
Kodak India Private Limited  
3rd Floor, Kalpataru Synergy  
Off Western Express Highway  
Vakola, Santacruz (East)  
Mumbai 400 055 India  
Tel: 91 22 6641 6762  
Philippines 1231  
EI Business Center  
Tel: 632 810 0331 (trunkline) or 632  
813 7916 (direct line)  
Fax: 632 840 1956  
Bonpland 1930-32  
CP 1414 Buenos Aires, Argentina  
Tel: 54-11-4778-7009 /  
54-911-5932-9503  
SINGAPORE  
Fax: 54-11-4773-6105  
Fax: 91 22 6641 6769  
Kodak (Singapore) Pte Ltd  
151 Lorong Chuan (Lobby A)  
#05-01, New Tech Park  
Singapore 556741  
Eastman Kodak SARL  
29-31 Route de L'Aeroport  
Le Grand Saconnex  
Case Postale 271  
1215 Geneva 15  
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Tel: +41-22-747-2000  
Fax: +41-22-747-2200  
CHILE  
INDONESIA  
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Av.Alonso de Córdoba# 5151, Piso 14  
Comuna Las Condes  
Santiago, Chile  
Tel: 65 6371 3388  
Fax: 65 6371 3377  
PT. Interdelta Tbk (Kodak Motion  
Picture Authorized Distributor in  
Indonesia)  
TAIWAN  
Tel: 6221 652 333 ext. 250  
Mobile: 6281 896 6655  
Kodak Taiwan Limited  
Shin Kong Life Neihu Technology  
Building  
Tel: 56.99. 220.5609  
LATIN AMERICA REGION  
3F-1, No.301, Sec. 2, Tiding Blvd.  
Neihu District  
JAPAN  
Kodak Japan Ltd.  
ASIA PACIFIC REGION  
AUSTRALIA  
1900 NW 97 Ave.  
Miami, Florida 33172 USA  
Taipei 11493  
Taiwan, R.O.C.  
Tokyo Sumitomo Twin Building (East)  
27-1, Shinkawa 2-chome, Chuo-ku  
Tokyo 104-0033  
Melbourne  
Tel: 305 378-0566 / 305 229-0422  
Fax: 305 378-0495 / 305 229-5075  
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181 Victoria Parade  
Tel: 886 2 8751 8282  
Japan  
Collingwood, Victoria, 3066  
Australia  
Tel: 813 5540 2280  
THAILAND  
Fax: 813 5540 2281  
Tel: 61 3 8417 8520  
Fax: 61 3 8417 8011  
Kodak (Thailand) Ltd.  
Floors 6 - 8th Kasemsap Bldg.  
89/1 Moo 14, Vibhavadee-rangsit Rd.  
Chatuchak  
Bangkok 10900  
Thailand  
Tel: 66 2 515 8092  
KODAK VISION3 500T Color  
Negative Film 5219 / 7219 / SO-219  
KODAK Publication No. H-1-5219t  
Kodak, Eastman, Keykode, Vision, and Wratten are trademarks.  
New 11-07  
Printed in U.S.A.  
 

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