Kodak Film Camera 160NC User Manual

May 2003 E-190  
TECHNICAL DATA / COLOR NEGATIVE FILM  
KODAK PROFESSIONAL PORTRA  
160NC, 160VC, 400NC, 400VC,  
400UC, and 800 Films  
photographers both variety and consistency. You have your  
choice of speed, color saturation, and format for virtually any  
KODAK PROFESSIONAL PORTRA Films offer  
Try This KODAK  
For  
PROFESSIONAL Film  
Daylight Balanced  
shooting situation. PORTRA Films deliver beautifully  
• Smooth, natural flesh tones  
• Controlled lighting situations  
matched final prints across speeds and formats: 35 mm, 120,  
220, and sheet formats; NC (natural color), VC (vivid color),  
and UC (ultra color); 100T, 160, 400 and 800 speeds. The  
PORTRA Film family yields consistently rich and detailed  
negatives with a neutrally balanced tone scale from shadows  
to highlights. An emulsion overcoat and scanner friendly  
design make PORTRA Films the perfect choice for  
photographers and labs who scan negatives.  
PORTRA 160NC  
PORTRA 160VC  
• Vivid colors  
• Controlled lighting situations  
• Smooth, natural flesh tones  
• Location photography  
• On-camera flash  
PORTRA 400NC  
PORTRA 400VC  
PORTRA 400UC  
• Vivid colors  
• Location photography  
• On-camera flash  
KODAK PROFESSIONAL PORTRA 160NC Film  
features natural colors and medium speed. Use 160NC Film  
for smooth, natural flesh tones in controlled lighting  
situations.  
• Very vivid colors  
• Location photography  
• On-camera flash  
• Smooth, natural flesh tones  
• Low-light photography  
• Action photography  
PORTRA 800  
KODAK PROFESSIONAL PORTRA 160VC Film  
features vivid colors and medium speed. Use 160VC Film  
for rich, enhanced colors in controlled lighting situations.  
• Location photography  
Tungsten balanced  
• Tungsten-balanced lights  
• Controlled lighting situations  
PORTRA 100T*  
KODAK PROFESSIONAL PORTRA 400NC Film  
features natural colors and high speed. Use 400NC Film for  
smooth, natural flesh tones in low light or on-camera flash  
situations.  
* For more information about this PORTRA Film, see KODAK Publication  
No. E-2468.  
KODAK PROFESSIONAL PORTRA 400VC Film  
features vivid colors and high speed. Use 400VC Film for  
enhanced colors in low light or on-camera flash situations.  
KODAK PROFESSIONAL PORTRA 400UC Film  
features very vivid ("ultra") colors and high speed. Use  
400UC Film for the highest color saturation in low light or  
on-camera flash situations.  
KODAK PROFESSIONAL PORTRA 800 Film  
features the highest film speed with neutral flesh-tone  
reproduction, tight grain, and medium color saturation. Use  
PORTRA 800 Film when using long lenses, shooting action,  
or shooting in low light.  
KODAK PROFESSIONAL PORTRA 100T Film  
delivers color accuracy under tungsten illumination (3200K)  
and allows long exposure times with minimum effect on  
color balance and contrast.  
©Eastman Kodak Company, 2003  
 
KODAK PROFESSIONAL PORTRA 400VC Film  
STORAGE AND HANDLING  
Store unexposed film at 21°C (70°F) or lower in the original  
sealed package. For extended periods, store film at  
13°C (55°F) to preserve consistency.  
Size/Format  
Code  
Base  
0.13 mm (0.005 inch)  
acetate  
135  
400VC  
To avoid moisture condensation on film that has been  
refrigerated, allow the film to warm up to room temperature  
before opening the package. Typical warm-up times are  
given in the table below.  
0.10 mm (0.004 inch)  
acetate  
120  
220  
400VC  
400VC  
0.10 mm (0.004 inch)  
acetate  
0.13 mm (0.005 inch)  
acetate,  
0.10 mm (0.004 inch)  
ESTAR Thick  
Warm-Up Times (Hours) to Reach Room  
Long Rolls  
400VC  
Temperature of 21°C (70°F) From a  
Size  
Storage Temperature of:  
-18°C (0°F)  
2°C (35°F) 13°C (55°F)  
KODAK PROFESSIONAL PORTRA 400UC Film  
3
1
120/220  
1
112  
5
4
2
Size/Format  
Code  
Base  
135 magazine  
35 mm long roll  
70 mm long roll  
10-sheet box  
50-sheet box  
114  
1
2
3
1
2
0.13 mm (0.005 inch)  
acetate  
3
135  
400UC  
10  
112  
3
5
0.10 mm (0.004 inch)  
acetate  
1
120  
400UC  
400UC  
400UC  
2
0.10 mm (0.004 inch)  
acetate  
220  
Load and unload roll-film cameras in subdued light. Total  
darkness is required when you load and unload sheet film  
holders.  
0.13 mm (0.005 inch)  
acetate  
Long Rolls  
Process film as soon as possible after exposure. Protect  
negatives from strong light, and store them in a cool, dry  
place. For long-term storage, keep negatives at a temperature  
between 2°C (35°F) and 13°C (55°F) and at a relative  
humidity between 30 and 35 percent.  
KODAK PROFESSIONAL PORTRA 800 Film  
Size/Format  
Code  
Base  
0.13 mm (0.005 inch)  
acetate  
135  
800  
0.10 mm (0.004 inch)  
acetate  
Note: High speed films, such as PORTRA 800 Film, are  
sensitive to environmental radiation. Expose and process this  
film promptly. As exposure to radiation is cumulative, you  
may want to request visual inspection of PORTRA 800 film  
at airport and other security x-ray inspection stations.  
120  
220  
800  
800  
0.10 mm (0.004 inch)  
acetate  
DARKROOM RECOMMENDATIONS  
Do not use a safelight. Handle unprocessed film in total  
darkness.  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
3
 
Electronic Flash  
EXPOSURE  
Use the appropriate guide number in the table below as  
starting-point recommendations for your equipment. Select  
the unit output closest to the number given by your flash  
manufacturer. Then find the guide number for feet or metres.  
To determine the lens opening, divide the guide number by  
the flash-to-subject distance. If negatives are consistently too  
dense (overexposed), use a higher guide number; if they are  
too thin (underexposed), use a lower number.  
Film Speed  
Use the speed numbers in the tables below with cameras or  
meters marked for ISO, ASA, or DIN speeds or exposure  
indexes (EIs). Do not change the film-speed setting when  
metering through a filter. Metering through filters may affect  
light meter accuracy; see your meter or camera manual for  
specific information. For critical work, make a series of test  
exposures.  
Guide Number  
ISO Speed  
Distances in Feet/Metres  
Unit  
KODAK  
WRATTEN  
Gelatin  
400NC,  
400VC,  
and  
400UC  
Films  
Output  
400NC, 400VC,  
and 400UC  
Films  
Light  
Source  
160NCand  
160VC  
160NC and  
160VC Films  
(BCPS)*  
800 Film  
800 Film  
Filter*  
Films  
350  
500  
55/17  
65/20  
85/26  
100/30  
120/36  
140/42  
170/50  
200/60  
240/70  
280/85  
340/100  
400/120  
120/36  
140/42  
170/50  
200/60  
240/70  
280/85  
340/100  
400/120  
470/140  
560/170  
Daylight or  
Electronic  
Flash  
None  
160  
400  
800  
700  
75/22  
1000  
1400  
2000  
2800  
4000  
5600  
8000  
90/27  
Photolamp  
(3400 K)  
No. 80B  
No. 80A  
50  
40  
125  
100  
250  
200  
110/33  
130/40  
150/46  
180/55  
210/65  
250/75  
Tungsten  
(3200 K)  
* For best results without special printing.  
Note: The latitude of PORTRA 160NC and 160VC Films  
allows you to use 100-speed proofing products for test  
exposures.  
* BCPS = beam candlepower seconds  
Daylight  
Use the exposures in the table below for average frontlit  
subjects from 2 hours after sunrise to 2 hours before sunset.  
Shutter Speed (second)  
and Lens Opening  
Lighting  
Conditions  
160NC and  
160VC  
400NC,  
400VC, and 800 Film  
400UC Films  
Films  
Bright or Hazy Sun  
on Light Sand or  
Snow  
1/125  
f/16  
1/500  
f/16  
1/1000  
f/16  
Bright or Hazy Sun  
(Distinct Shadows)  
1/125  
1/500  
1/500  
f/11*  
f/11*  
f/16†  
Weak, Hazy Sun  
(Soft Shadows)  
1/125  
f/8  
1/500  
f/8  
1/500  
f/11  
Cloudy Bright  
(No Shadows)  
1/125  
f/5.6  
1/500  
f/5.6  
1/250  
f/11  
Heavy Overcast or  
Open Shade‡  
1/125  
f/4  
1/500  
f/4  
1/125  
f/11  
* Use f/5.6 for backlit close-up subjects.  
Use f/8 for backlit close-up subjects.  
Subject shaded from the sun but lighted by a large area of sky.  
4
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
 
Fluorescent and High-Intensity Discharge  
Lamps  
Use the color-compensating filters and exposure adjustments  
in the tables below as starting points to expose  
PORTRA Films under fluorescent or high-intensity discharge  
lamps. For critical applications, make a series of test  
exposures under your actual conditions.  
To avoid the brightness and color variations that occur  
during a single alternating-current cycle, use exposure  
times of 160 second or longer with fluorescent lamps; with  
high-intensity discharge lamps, use exposure times of  
1125 second or longer.  
KODAK Color  
Exposure  
KODAK Color  
Compensating  
Filter(s)  
KODAK Color  
Compensating  
Filter(s)  
Exposure  
Adjustment  
Exposure  
Adjustment  
Compensating  
Filter(s)  
Type of Fluorescent  
Lamp  
Adjustment  
160NC/VC and 400NC/VC Films  
400UC Film  
800 Film  
Daylight  
20R + 5M  
40B + 5C  
40B + 40C  
40B + 50C  
30B  
+ 1 stop  
+ 1 2/3 stop  
+ 2 stops  
20R + 5M  
50C + 30M  
40B + 50C  
90C + 30M  
30B  
+ 1 stop  
+ 1 23 stops  
+ 2 stops  
40R  
+ 1 1/3 stop  
+ 1 2/3 stop  
+ 2 stops  
White  
30C + 40M  
50B + 5C  
40B + 40C  
30M  
Warm White  
Warm White Deluxe  
Cool White  
+ 2 stops  
+ 2 stops  
+ 2 stops  
+ 1 stop  
+ 1 stop  
+ 1 stop  
Cool White Deluxe  
T8 741 (CCT = 4100 K)*  
T8 830 (CCT = 3000 K)*  
T8 835 (CCT = 3500 K)*  
T8 841 (CCT = 4100 K)*  
40C + 10M  
40B + 20C  
50B + 60C  
40B + 40C  
50C + 20M  
+ 1 stop  
40C + 10M  
40B + 20C  
50B + 60C  
40B + 40C  
50C + 20M  
+ 1 stop  
20B + 20C  
20B + 20M  
55B + 20C  
40B  
+ 1 stop  
+ 1 2/3 stop  
+ 2 1/3 stops  
+ 1 2/3 stop  
+ 1 1/3 stop  
+ 1 23 stops  
+ 2 13 stops  
+ 1 23 stops  
+ 1 13 stops  
+ 1 2/3 stop  
+ 2 1/3 stops  
+ 1 2/3 stop  
+ 1 1/3 stop  
20B + 10C  
* CCT = Correlated Color Temperature. Phosphor emission emulates the color temperature of a continuous spectrum lamp, such as tungsten.  
KODAK Color  
Compensating  
Filter(s)  
KODAK Color  
Compensating  
Filter(s)  
KODAK Color  
Compensating  
Filter(s)  
Exposure  
Adjustment  
Exposure  
Adjustment  
Exposure  
Adjustment  
High-Intensity  
Discharge Lamp (CCT)*  
160NC/VC and 400NC/VC Films  
400UC Film  
800 Film  
High-Pressure Sodium  
Vapor (2700 K)  
50B + 70C  
50B + 90C  
200C + 20M  
+ 2 2/3 stops  
+ 3 stops  
50B + 70C  
50B + 90C  
20M + 200C  
+ 2 23 stops  
60B + 50C  
120C + 50M  
55B + 100C  
+ 2 2/3 stops  
+ 3 1/3 stops  
+ 4 stops  
High-Pressure Sodium  
Vapor (2200 K)  
+ 3 stops  
High-Pressure Sodium  
Vapor (2100 K)  
+ 4 stops  
+ 4 stops  
2
Metal Halide (4300 K)  
Metal Halide (3200 K)  
Mercury Vapor (3700 K)  
5C + 10M  
80C + 10M  
30B + 5C  
+ 2/3 stop  
+ 1 2/3 stop  
+ 1 stop  
10M  
+
3
stop  
5R + 20M  
20B + 30C  
30M  
+ 1 stop  
+ 1 2/3 stop  
+ 1 stop  
80C + 10M  
20B + 10C  
+ 1 23 stops  
+ 1 stop  
* CCT = Correlated Color Temperature. Phosphor emission emulates the color temperature of a continuous spectrum lamp, such as tungsten.  
Adjustments for Long and Short Exposures  
No filter correction or exposure compensation is required for PORTRA 160NC, 160VC, 400NC, PORTRA 400VC, or PORTRA  
400UC Films for exposures from 110,000 second to 10 seconds. For PORTRA 800 Film, no adjustments are required for exposures  
from 110,000 second to 1 second. For critical applications with longer exposure times, make tests under your conditions.  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
5
 
PROCESSING  
Process PROFESSIONAL PORTRA Films in KODAK FLEXICOLOR Chemicals for Process C-41 with the following  
replenishment and wash rates.  
Replenishment and Wash Rates / PORTRA 160NC and 160VC Films  
KODAK  
KODAK FLEXICOLOR  
Developer Replenisher  
LORR  
KODAK FLEXICOLOR  
Developer Replenisher  
FLEXICOLOR  
Bleach III, Fixer,  
and Stabilizer  
Film Size  
Wash Water*  
1012 mL/m2  
94 mL/ft2  
506 mL/m2  
47 mL/ft2  
861 mL/m2  
80 mL/ft2  
31 L/m2  
2.9 L/ft2  
135  
1012 mL/m2  
94 mL/ft2  
506 mL/m2  
47 mL/ft2  
1023 mL/m2  
95 mL/ft2  
31 L/m2  
2.9 L/ft2  
120/220  
1245 mL/m2  
116 mL/ft2  
622 mL/m2  
58 mL/ft2  
1152 mL/m2  
107 mL/ft2  
59 L/m2  
5.5 L/ft2  
4 x 5 inch  
* Rates are for first wash and a two-stage countercurrent final wash. Double these rates for a single stage final wash.  
Replenishment and Wash Rates / PORTRA 400NC, 400VC and 400UC Films  
KODAK  
KODAK FLEXICOLOR  
Developer Replenisher  
LORR  
KODAK FLEXICOLOR  
Developer Replenisher  
FLEXICOLOR  
Bleach III, Fixer,  
and Stabilizer  
Film Size  
Wash Water*  
1400 mL/m2  
130 mL/ft2  
700 mL/m2  
65 mL/ft2  
861 mL/m2  
80 mL/ft2  
31 L/m2  
2.9 L/ft2  
135  
1400 mL/m2  
130 mL/ft2  
700 mL/m2  
65 mL/ft2  
1023 mL/m2  
95 mL/ft2  
31 L/m2  
2.9 L/ft2  
120/220  
1722 mL/m2  
160 mL/ft2  
861 mL/m2  
80 mL/ft2  
1152 mL/m2  
107 mL/ft2  
59 L/m2  
5.5 L/ft2  
4 x 5 inch  
* Rates are for first wash and a two-stage countercurrent final wash. Double these rates for a single stage final wash.  
Replenishment and Wash Rates / PORTRA 800 Film  
KODAK  
KODAK FLEXICOLOR  
Developer Replenisher  
LORR  
KODAK FLEXICOLOR  
Developer Replenisher  
FLEXICOLOR  
Bleach III, Fixer,  
and Stabilizer  
Film Size  
Wash Water*  
1400 mL/m2  
130 mL/ft2  
1400 mL/m2  
130 mL/ft2  
700 mL/m2  
65 mL/ft2  
700 mL/m2  
65 mL/ft2  
861 mL/m2  
80 mL/ft2  
1023 mL/m2  
95 mL/ft2  
31 L/m2  
2.9 L/ft2  
31 L/m2  
2.9 L/ft2  
135  
120/220  
* Rates are for first wash and a two-stage countercurrent final wash. Double these rates for a single stage final wash.  
6
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
 
JUDGING NEGATIVE EXPOSURES  
RETOUCHING  
You can check the exposure level with a suitable electronic  
densitometer equipped with a filter such as a KODAK  
WRATTEN Gelatin Filter No. 92 or the red filter for  
Status M densitometry. Depending on the subject and the  
light source used for exposure, a normally exposed and  
processed color negative measured through the red filter  
should have the approximate densities listed below.  
Because of the extreme range in skin color, use these red  
density values for a normally lit forehead only as a guide. For  
best results, use a KODAK Gray Card (gray side).  
You can retouch the sheet and 120 / 220 sizes on both the  
base side and the emulsion side. Retouch only the emulsion  
side on the 135 size.  
For information on retouching equipment, supplies, and  
techniques, see KODAK Publication No. E-71, Retouching  
Color Negatives.  
PRINTING NEGATIVES  
This film is optimized for printing on KODAK  
PROFESSIONAL PORTRA ENDURA, SUPRA ENDURA  
and ULTRA ENDURA Papers, KODAK PROFESSIONAL  
DURAFLEX Plus Digital Display Material, and on KODAK  
PROFESSIONAL ENDURA Metallic Paper.  
Make color slides and transparencies by printing the  
negatives on KODAK PROFESSIONAL ENDURA  
Transparency Optical Display Material or KODAK  
PROFESSIONAL ENDURA Clear Optical Display  
Material.  
Make black-and-white prints on KODAK PANALURE  
SELECT RC Paper for conventional black-and-white  
processing, or KODAK PROFESSIONAL PORTRA Black  
& White Paper for Process RA-4.  
To set up a color printer or negative analyzer, use the  
following control negatives.  
Density Reading  
Area Measured  
160NC and  
160VC and  
400NC FIlms 400VC Films  
KODAK Gray Card (gray  
side) receiving same  
illumination as subject  
0.77 to 0.87  
1.13 to 1.23  
0.81 to 0.93  
1.22 to 1.34  
Lightest step (darkest in the  
negative) of a KODAK Paper  
Gray Scale receiving same  
illumination as subject  
Highest diffuse density on  
normally lighted forehead  
light complexion  
1.08 to 1.18  
0.93 to 1.03  
1.16 to 1.28  
0.98 to 1.10  
dark complexion  
400UC Film  
Density Reading  
KODAK PROFESSIONAL PORTRA  
CAT No.  
Area Measured  
Printer Control Negative  
EI 800  
(Push 1)  
EI 400  
Set / Size 135*  
179 8511  
846 0958  
107 1398  
841 1902  
177 1302  
144 5741  
KODAK Gray Card (gray  
side) receiving same  
illumination as subject  
Normal / Size 120  
Very Under / Size 120  
Under / Size 120  
Over / Size 120  
0.80 to 1.00  
1.00 to 1.20  
Lightest step (darkest in the  
negative) of a KODAK Paper  
Gray Scale receiving same  
illumination as subject  
1.25 to 1.45  
1.40 to 1.60  
Very Over / Size 120  
* This set includes one each: very under, under, normal, over, and very  
over negatives.  
Highest diffuse density on  
normally lighted forehead  
light complexion  
1.00 to 1.30  
0.80 to 1.15  
1.20 to 1.50  
0.95 to 1.30  
Digital Files  
dark complexion  
You can scan your image to a file and print digitally to —  
KODAK PROFESSIONAL PORTRA ENDURA Paper  
800 Film  
Density Reading  
KODAK PROFESSIONAL SUPRA ENDURA Paper  
KODAK PROFESSIONAL ULTRA ENDURA Paper  
Area Measured  
EI 1600  
(Push 1)  
EI 3200  
(Push 2)  
EI 800  
KODAK PROFESSIONAL ENDURA Transparency  
Digital Display Material  
KODAK Gray Card  
(gray side) receiving  
same illumination as  
subject  
0.80 to 1.00 0.75 to 0.95 0.70 to 0.90  
1.15 to 1.35 1.15 to 1.35 1.15 to 1.35  
KODAK PROFESSIONAL ENDURA Clear Digital  
Display Material  
Lightest step (darkest  
in the negative) of a  
KODAK Paper Gray  
Scale receiving same  
illumination as subject  
KODAK PROFESSIONAL DURAFLEX Plus Digital  
Display Material  
KODAK PROFESSIONAL Day/Night Digital Display  
Material  
Highest diffuse  
density on normally  
lighted forehead  
light complexion  
dark complexion  
KODAK PROFESSIONAL ENDURA Metallic Paper  
1.08 to 1.18 0.85 to 1.20 0.80 to 1.15  
0.93 to 1.03 0.60 to 0.95 0.55 to 0.90  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
7
 
SCANNING NEGATIVES  
IMAGE STRUCTURE  
You can easily scan PROFESSIONAL PORTRA Film  
negatives with a variety of linear-array-CCD,  
area-array-CCD, and PMT film scanners. You can scan  
negatives on desktop scanners as well as high-end drum  
scanners.  
Print Grain Index  
The Print Grain Index number refers to a method of defining  
graininess in a print made with diffuse-printing illumination.  
It replaces rms granularity and has a different scale which  
cannot be compared to rms granularity.  
Because no standards exist to define the colored filter sets  
that film scanners use to capture the red, green, and blue  
information of the film image, each manufacturers scanner  
has its own characteristic output. The output depends on the  
scanners sensitivity to the dyes in the film. This sensitivity  
is determined by the spectral distribution of the colored filter  
sets and/or the spectral sensitivity of the  
charge-coupled-device (CCD). In addition to these spectral  
specifications, scanner output depends on the look-up tables  
or matrices that the scanner uses to output information for  
CRT monitors, transmission, etc. These tables or matrices  
are part of either plug-inprograms used with specific  
software packages designed for image manipulation,  
updateable ROMs included with the equipment, or fixed  
algorithms for calibrating and balancing, similar to those  
used in photographic color printing equipment.  
The generic color negative filmchannel designation  
available with scanner software is only a starting point. You  
can adjust the final color balance and the scene-dependent  
contrast and brightness of an image by using the scanners  
controls during pre-scan, or by using an image-manipulation  
software program or workstation after acquisition. Some  
scanners allow you to use plug-inprograms to customize  
scanner setups.  
The method uses a uniform perceptual scale, with a  
change of four units equaling a just noticeable  
difference in graininess to 90 percent of observers.  
A Print Grain Index rating of 25 on the scale represents  
the approximate visual threshold for graininess. A  
higher number indicates an increase in the amount of  
graininess observed.  
The standardized inspection (print-to-viewer) distance  
for all print sizes is 14 inches, the typical viewing  
distance for a 4 x 6-inch print.  
In practice, larger prints will likely be viewed from  
distances greater than 14 inches, which reduces  
apparent graininess.  
Print Grain Index numbers may not represent graininess  
observed from more specular printing illuminants, such  
as condenser enlargers.  
Negative Size: 24 x 36 mm (Size 135)  
Print Size in inches  
Magnification  
4x6  
8x10  
8.8X  
16x20  
17.8X  
4.4X  
Print Grain Index for—  
160NC Film  
160VC Film  
400NC Film  
400VC Film  
400UC Film  
800 Film  
36  
40  
44  
48  
40  
50  
58  
62  
66  
70  
62  
72  
87  
91  
96  
99  
92  
For more information, visit the following Web sites.  
To access  
Go to  
Film Terms for KODAK  
PHOTO CD Imaging  
Workstations  
101  
Negative Size: 6 x 6 cm (Size 120/220)  
Drivers for KODAK Film  
Scanners  
Print Size in inches  
Magnification  
4x6  
8x10  
4.4X  
16x20  
8.8X  
2.6X  
Print Grain Index for—  
160NC Film  
160VC Film  
400NC Film  
400VC Film  
400UC Film  
800 Film  
Less than 25  
36  
40  
44  
48  
40  
50  
58  
62  
66  
70  
62  
72  
28  
32  
36  
28  
38  
Negative Size: 4 x 5 Inches (Sheets)  
Print Size in inches  
Magnification  
4x6  
8x10  
2.1X  
16x20  
4.2X  
1.2X  
Print Grain Index for—  
160NC Film  
160VC Film  
Less than 25 Less than 25  
Less than 25 Less than 25  
35  
39  
43  
400NC Film  
Less than 25  
28  
For more information, see KODAK Publication No.  
E-58, Print Grain Index—An Assessment of Print Graininess  
from Color Negative Films.  
8
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
 
CURVES  
KODAK PROFESSIONAL PORTRA 160NC Film  
Spectral-Dye-Density Curves  
Characteristic Curves  
2.5  
2.0  
4.0  
Typical densities for a midscale neutral subject  
and D-min.  
Process: C-41  
Process: C-41  
Densitometry: Status M  
3.0  
1.5  
1.0  
Midscale Neutral  
2.0  
1.0  
0.0  
B
G
Minimum Density  
R
0.5  
0.0  
400  
F009_0185AC  
500  
600  
700  
4.0  
F009_0153AC  
3.0  
2.0  
1.0  
0.0  
1.0  
WAVELENGTH (nm)  
LOG EXPOSURE (lux-seconds)  
Modulation Transfer Function  
Spectral-Sensitivity Curves  
4.0  
1/25 second  
Effective Exposure:  
Process: C-41  
200  
100  
Densitometry: Status M  
Density: 0.2 above D-min  
3.0  
2.0  
1.0  
0.0  
70  
50  
B
G
30  
20  
R
Yellow-  
Forming  
Layer  
Magenta-  
Forming  
Layer  
10  
7
Cyan-  
Forming  
Layer  
5
3
Daylight  
Exposure:  
Process: C-41  
2
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
*Sensitivity = reciprocal of exposure (ergs/cm2) required  
to produce specified density  
SPATIAL FREQUENCY (cycles/mm)  
F009_0180AC  
NOTICE: The sensitometric curves and data in this publication represent product tested  
under the conditions of exposure and processing specified. They are representative of  
production coatings, and therefore do not apply directly to a particular box or roll of  
photographic material. They do not represent standards or specifications that must be met  
by Eastman Kodak Company. The company reserves the right to change and improve  
product characteristics at any time.  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
9
 
KODAK PROFESSIONAL PORTRA 160VC Film  
Characteristic Curves  
Spectral-Dye-Density Curves  
4.0  
2.5  
2.0  
Typical densities for a midscale neutral subject  
and D-min.  
Process: C-41  
Process: C-41  
Densitometry: Status M  
3.0  
1.5  
1.0  
Midscale Neutral  
Minimum Density  
2.0  
B
G
R
1.0  
0.5  
0.0  
0.0  
400  
F009_0186AC  
500  
600  
700  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
F009_0154AC  
LOG EXPOSURE (lux-seconds)  
WAVELENGTH (nm)  
Modulation Transfer Function  
Spectral-Sensitivity Curves  
4.0  
1/25 second  
Effective Exposure:  
Process: C-41  
200  
100  
Densitometry: Status M  
Density: 0.2 above D-min  
3.0  
2.0  
1.0  
0.0  
70  
50  
B
G
R
30  
20  
Yellow-  
Forming  
Layer  
Magenta-  
Forming  
Layer  
10  
7
Cyan-  
Forming  
Layer  
5
3
Daylight  
Exposure:  
Process: C-41  
2
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
*Sensitivity = reciprocal of exposure (ergs/cm2) required  
to produce specified density  
SPATIAL FREQUENCY (cycles/mm)  
F009_0180AC  
10  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
 
KODAK PROFESSIONAL PORTRA 400NC Film  
Characteristic Curves  
Spectral-Dye-Density Curves  
4.0  
2.5  
2.0  
Process: C-41  
Densitometry: Status M  
Typical densities for a midscale neutral subject  
and D-min.  
Process: C-41  
3.0  
1.5  
1.0  
Midscale Neutral  
Minimum Density  
B
2.0  
G
R
1.0  
0.5  
0.0  
0.0  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
400  
F009_0187AC  
500  
600  
700  
F009_0155AC  
LOG EXPOSURE (lux-seconds)  
WAVELENGTH (nm)  
Spectral-Sensitivity Curves  
Modulation Transfer Function  
4.0  
1/50 second  
Effective Exposure:  
Process: C-41  
200  
100  
Densitometry: Status M  
Density: 0.2 above D-min  
3.0  
2.0  
1.0  
0.0  
70  
50  
B
Yellow-  
Forming  
Layer  
G
30  
20  
Magenta-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
R
10  
7
5
3
Daylight  
Exposure:  
Process: C-41  
2
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
*Sensitivity = reciprocal of exposure (ergs/cm2) required  
to produce specified density  
SPATIAL FREQUENCY (cycles/mm)  
F009_0181AC  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
11  
 
KODAK PROFESSIONAL PORTRA 400VC Film  
Spectral-Dye-Density Curves  
Characteristic Curves  
2.5  
2.0  
4.0  
Typical densities for a midscale neutral subject  
and D-min.  
Process: C-41  
Process: C-41  
Densitometry: Status M  
3.0  
B
1.5  
1.0  
Midscale Neutral  
Minimum Density  
2.0  
1.0  
0.0  
G
R
0.5  
0.0  
400  
F009_0188AC  
500  
600  
700  
4.0  
F009_0156AC  
3.0  
2.0  
1.0  
0.0  
1.0  
WAVELENGTH (nm)  
LOG EXPOSURE (lux-seconds)  
Modulation Transfer Function  
Spectral-Sensitivity Curves  
4.0  
1/50 second  
Effective Exposure:  
Process: C-41  
200  
100  
Densitometry: Status M  
Density: 0.2 above D-min  
3.0  
2.0  
1.0  
0.0  
70  
50  
B
Yellow-  
Forming  
Layer  
30  
20  
G
Magenta-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
R
10  
7
5
3
Daylight  
Exposure:  
Process: C-41  
2
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
*Sensitivity = reciprocal of exposure (ergs/cm2) required  
to produce specified density  
SPATIAL FREQUENCY (cycles/mm)  
F009_0181AC  
12  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
 
Spectral-Sensitivity Curves  
KODAK PROFESSIONAL PORTRA 400UC Film  
4.0  
3.0  
2.0  
1.0  
0.0  
Characteristic Curves, EI 400  
1/50 Second  
Effective Exposure:  
Process: C-41  
4.0  
Densitometry: Status M  
Density: 0.2 > D-min  
Daylight  
Exposure:  
Process: C-41  
Densitometry: Status M  
Yellow-  
Forming  
Layer  
3.0  
2.0  
1.0  
Magenta-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
B
G
R
350  
400  
450  
500  
550  
600  
650  
700  
750  
WAVELENGTH (nm)  
*Sensitivity = reciprocal of exposure (erg/cm2 ) required  
to produce specified density  
0.0  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
Spectral-Dye-Density Curves  
LOG EXPOSURE (lux-seconds)  
3.0  
Typical densities for a midscale neutral subject  
Characteristic Curves, EI 800 (Push 1)  
and D-min.  
Process: C-41  
4.0  
3.0  
2.0  
1.0  
2.5  
2.0  
1.5  
1.0  
0.5  
Daylight  
Process: C-41, Push1  
Densitometry: Status M  
Exposure:  
Midscale Neutral  
B
Minimum Density  
G
R
0.0  
350  
450  
550  
650  
750  
WAVELENGTH (nm)  
0.0  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
Modulation Transfer Function  
LOG EXPOSURE (lux-seconds)  
200  
100  
70  
50  
B
G
30  
20  
R
10  
7
5
3
2
Daylight  
Exposure:  
Process: C-41  
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
SPATIAL FREQUENCY (cycles/mm)  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
13  
 
KODAK PROFESSIONAL PORTRA 800 Film  
Characteristic Curves, EI 800  
Characteristic Curves, EI 1600 (Push 1)  
4.0  
3.0  
2.0  
1.0  
4.0  
Daylight  
Log H Ref: -1.74  
Densitometry: Status M  
Process: 1 Stop Push  
Exposure:  
Daylight  
Log H Ref: -1.74  
Densitometry: Status M  
Exposure:  
3.0  
2.0  
1.0  
B
B
G
G
R
R
0.0  
0.0  
5.0  
F009_0508AC  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
5.0  
F009_0507AC  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
LOG EXPOSURE (lux-seconds)  
LOG EXPOSURE (lux-seconds)  
Characteristic Curves, EI 3200 (Push 2)  
4.0  
3.0  
2.0  
1.0  
Daylight  
Log H Ref: -1.74  
Densitometry: Status M  
Process: 2 Stop Push  
Exposure:  
B
G
R
0.0  
5.0  
F009_0509AC  
4.0  
3.0  
2.0  
1.0  
0.0  
1.0  
LOG EXPOSURE (lux-seconds)  
14  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
 
Spectral-Sensitivity Curves  
Spectral-Dye-Density Curves  
4.0  
3.0  
2.0  
1.0  
0.0  
3.5  
3.0  
2.5  
2.0  
1.5  
1.0  
0.5  
0.0  
1/200 second  
Effective Exposure:  
Typical densities for a midscale neutral subject  
and D-min.  
Densitometry: Status M  
Density: 0.2>D-min  
Magenta-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
Yellow-  
Forming  
Layer  
Midscale Neutral  
Minimum Density  
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
*Sensitivity = reciprocal of exposure (erg/cm2 ) required  
to produce specified density  
F009_0510AC  
400  
F009_0511AC  
450  
500  
550  
600  
650  
700  
WAVELENGTH (nm)  
Modulation Transfer Function  
200  
100  
70  
50  
B
30  
20  
G
10  
7
R
5
3
2
Daylight  
Exposure:  
Process: C-41  
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
SPATIAL FREQUENCY (cycles/mm)  
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films E-190  
15  
 
KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC,  
and 800 Films  
MORE INFORMATION  
Kodak has many publications to assist you with information  
on Kodak products, equipment, and materials.  
The following publications are available from Kodak  
Customer Service, from dealers who sell Kodak products, or  
you can contact Kodak in your country for more information.  
For the latest version of technical support publications for  
KODAK PROFESSIONAL Products, visit Kodak on-line at:  
If you have questions about KODAK PROFESSIONAL  
Products, call Kodak.  
In the U.S.A.:  
E-30  
Storage and Care of KODAK Photographic  
Materials—Before and After Processing  
1-800-242-2424, Ext. 19, MondayFriday  
9 a.m.7 p.m. (Eastern time)  
In Canada:  
E-58  
Print Grain Index  
E-71  
Retouching Color Negatives  
1-800-465-6325, MondayFriday  
8 a.m.5 p.m. (Eastern time)  
E-4021  
KODAK PROFESSIONAL PORTRA and  
SUPRA ENDURA Papers  
E-4020  
E-4030  
KODAK PROFESSIONAL ULTRA  
ENDURA Paper  
Note: The Kodak materials described in this publication for  
use with KODAK PROFESSIONAL PORTRA Films are  
available from dealers who supply KODAK  
PROFESSIONAL Products. You can use other materials,  
but you may not obtain similar results.  
KODAK PROFESSIONAL ENDURA  
Transparency and Clear Optical Display  
Materials  
E-4031  
KODAK PROFESSIONAL ENDURA  
Transparency and Clear Digital Display  
Materials  
E-4028  
E-2468  
G-4006  
G-4019  
G-27  
KODAK PROFESSIONAL ENDURA  
Metallic Paper  
KODAK PROFESSIONAL PORTRA 100T  
Film  
KODAK PROFESSIONAL PORTRA  
Black-and-White Paper  
KODAK PROFESSIONAL PORTRA Sepia  
Black-and-White Paper  
KODAK PROFESSIONAL PANALURE  
SELECT RC Paper  
J-38  
Using KODAK FLEXICOLOR Chemicals in  
Sink-Line, Bath, and Rotary-Tube  
Processors  
Z-131  
Using KODAK FLEXICOLOR Chemicals  
KODAK PROFESSIONAL PORTRA  
160NC, 160VC, 400NC, 400VC,  
400UC, and 800 Films  
Kodak, Kodak Professional, Duraflex, Endura, Estar, Flexicolor, Panalure, Portra,  
Minor Revision 5-03  
Printed in U.S.A.  
Readyload, Select, Supra, T-Grain, Ultra, and Wratten are trademarks.  
KODAK Publication No. E-190  
 

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